This 25-minute piece is our first remote ambient collaboration; Emily Lee recorded herself playing harp in NYC and sent the files to us down in Texas, where Dan D and I worked with them and added rhodes, koto, and acoustic guitar.
As Queen used to say, "Nobody played the synthesizer."
This piece might be good background to some deep thinking, or an emotionally complex yoga session.
supported by 41 fans who also own “Blue Forest Overture”
absolutely love this record. shearwater having been a favorite of mine as I love stellar production and this seems like a natural extension of that sub-sub genre. Dr. J.M. McNulty