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Jet Plane and Oxbow

by Shearwater

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Tashina
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Tashina I don't know enough about music to be able to give a critical review, I judge music purely by heart - this album has given me a joy and energy while listening to it that I have not felt in a long time! It sounds unique and exciting to me and I will not stop playing it on repeat for a long time! Thank you so much! <3 Favorite track: Quiet Americans.
JoanDou79
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JoanDou79 I have had this album on repeat on my IPod every day since it was released. And, I have caught myself swaying to the music on the train station platform during my work commute. Wish I could share my earbuds with the world!! Favorite track: Backchannels.
Steven VanEtten
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Steven VanEtten I am old enough to have had heard the transition of the 70"s music through tech. There was an element of mystery and adventure that was soon consumed into 80's pop. This release recaptures some of that early promise that was lost. A wide open canvas. Damned brilliant.
Mubla Na Thguob
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Mubla Na Thguob I have been taking my time with this album. Playing it through and considering it track by track. While it does have a pronounced 80"s feel, I think that it has a more solid feel to it than a lot of albums from that era. I still listen to those old albums, but with a kind of guilty pleasure feeling. With this however I don't see it being relegated to gulilty pleasure status. This is an example of a well crafted album that will age well going into the future. Favorite track: A Long Time Away.
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    Gatefold 2xLP on high quality black vinyl.

    Includes unlimited streaming of Jet Plane and Oxbow via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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    American Apparel 100% cotton t-shirt.

    Includes unlimited streaming of Quiet Americans via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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about

This is definitely Shearwater’s biggest and loudest record—it’s easy to imagine these songs roaring from the stage—but it’s also their most detailed and intricate one. Front man Jonathan Meiburg and producer/engineer Reisch (who also recorded 2012’s Animal Joy and the off-the-cuff collaborations of 2014’s Fellow Travelers) spent two years crafting Jet Plane and Oxbow with help from drummer Cully Symington, longtime Shearwater associates Howard Draper and Lucas Oswald, and tourmates Jesca Hoop, Abram Shook, and Jenn Wasner.

But their secret weapon this time is film composer and percussionist Brian Reitzell, whose soundtracks include The Virgin Suicides, Lost in Translation, The Bling Ring, and 30 Days of Night. Reitzell’s arsenal of strange instruments emphasizes Jet Plane and Oxbow’s cinematic depth and scope, and reflects the band’s choice to anchor the record in the era when digital technology was just beginning to transform the world of recorded music. In Shearwater’s hands this doesn’t feel like nostalgia; the racing synths and hammered dulcimers of heart-pounding opener “Prime” or the addled motorik of “Radio Silence” sound more like a metaphor for our own bewildering moment.

credits

released January 22, 2016

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license

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Track Name: Quiet Americans
I can’t help it
If all the world is ending
If all the life is gone
Still, you’re calling out this name:
Where are the Americans?

Our dimmed conscience
Our hands and eyes that wander
Stumbling down the road
Or collapsing on parade

Or lying alone in the eastern light,
Sleeping in the morning hours

And the only sound
From the lantern-covered hills
The only light
From a day yet to begin
The only signs
Of the guns in silhouette
Are only sound
Are only light
Only, only!

Our dull silence
Our disconnected lives
Pull out the lightning dust
At the mention of his name

And whither the Americans?

Shake the memories off
Hide the evidence under
Piss on the world below
Like a dog that knows his name

Where are the Americans?
All calling on their own tonight,
filling the remaining hours

And the only sounds
Are the bells up on the hill
The only lights
Are the lanterns in the wind
The only sign
Skims the rust off of the rails
The only sound
The only light
Only, only!

The only sound
Is the rushing of the wind
The only light
Is a day yet to begin
The only signs
Of the lives in silhouette
“The only life”
Is not the only life
Only, only!

© 2015 Polyborus Music (ASCAP)