Tim
Shearwater did such a great job on this! Personally, other than the obvious singles - this was my first introduction of the Lodger LP. I love Bowie, but never got around to listening to that album. When I did, it was fun to listening to it from the reverse perspective of "How does the original compare to the Shearwater version?".
(The reason this isn't just a normal digital album purchase is that we paid for a certain number of licenses, and the only way to do limited edition downloads on Bandcamp is via merchandise items like this.)
Includes unlimited streaming of Shearwater Plays Lodger (2016 AV Club Version)
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
NOTE: The vinyl version is SOLD OUT. The merchandise item for sale is the digital download only.
--
When we decided to cover a few songs from David Bowie’s weird and wonderful Lodger album as part of our tour for Jet Plane and Oxbow this year, we meant it as pure fun — a way to tip our hats to a record we loved. We were rehearsing it when Bowie died, and it suddenly felt different; heavier, of course, but more meaningful, and ultimately even more joyful.
This spring, we played a few songs from Lodger on tour each night in Europe and North America, but we only played the entire album four times – in Chicago, New York, Seattle, and for the Onion’s A.V. Club, who filmed us playing it in their office. (To the best of my knowledge, DB never performed about half the songs on the album live, though he often mentioned it as one of his favorites.)
As it turned out, the A.V. Club caught us at just the right moment – relaxed, intent, and a little goofy. You can see the videos of the entire performance here.
After it was posted online, a number of people asked if we had thought about releasing this performance on vinyl. We’re not a cover band, but we decided to do it, both as an expression of gratitude for Bowie’s work and as a document of a special performance.
And I figured, if we’re going to do it, we ought to do it right.
So I took the high-res 24-bit mixes of the show to be mastered by the legendary Greg Calbi at Sterling Sound. Greg’s worked on all our albums since Rook — but he also mastered the original Lodger in 1979 (!), a symmetry too tempting to pass up. The lacquer master was cut by Ray Janos (also at Sterling), and the record was pressed by RTI in California, one of the best pressing plants in the world.
All this for a one-time, limited edition of 500 copies. It’s not the cheapest way to do it, but definitely the best. The records sound (and look) great. I only wish DB were still around to hear it.
Many thanks for reading, and for supporting us.
Jonathan Meiburg / Shearwater
credits
released July 17, 2016
Recorded live by Mike Lust at the A.V. Club, March 20, 2016
Mixed by Lucas Oswald
Mastered by Greg Calbi at Sterling Sound
Lacquer cut by Ray Janos
Cover photos by Emily Lee
Back cover photo by Leonardo Garcia
Art direction by Shearwater and JK
Design by Jeff Kleinsmith
A.V. Club video directed by Leonardo Adrian Garcia
Edited by Dominic del Carmine
Camera operators: Kelsie Hardison, Ryan Natoli, Abe Zverow
Thanks to Jonathan Kade, Emily Lee, Jonathan Poneman, Jeff Kleinsmith, Deron Pulley, Laura Browning, Josh Modell, Jay Demko, Jamie Dobie, Brian Reitzell, Leigh Petersen, and all who so kindly donated to fund this project.
supported by 56 fans who also own “Shearwater Plays Lodger (2016 AV Club Version)”
absolutely love this record. shearwater having been a favorite of mine as I love stellar production and this seems like a natural extension of that sub-sub genre. Dr. J.M. McNulty
supported by 31 fans who also own “Shearwater Plays Lodger (2016 AV Club Version)”
I love Lovecraft in Brooklyn, and this version captures the energy of the Mountain Goats in concert as well as any recording I've heard. My absolute favorite, but the live version of See America Right is a close second. Bangers, the both of 'em. theoysterking